Wednesday, August 17, 2011

News from mango land

a quick update!

This weekend, I premiered a new commission at Summer Sundae in Leicester, for Phrased and Confused. It's a nice bit of work which will eventually become a new show. On Saturday, I performed the commission with Bellatrix on beatbox and double bass, and on Sunday with Ben and Alfie, two brothers who play viola and double bass.

Bellatrix and I recorded a new demo, another commission for Hackney Hear, an interactive GPS-triggered audio tour of Hackney. I'm really happy with how the demo sounds - here it is on Soundcloud.

Brown Skin Beauty, the video and song made by Bandish Projekt, Sheila Tequila and me, is sitting inbetween Micheal Jackson and Limp Bizkit in the VH1 Asia charts!

My year-long Rich Mix residency has finally started; read details here.

The Motiroti commission, a new piece of theatre set in a barber's shop in East London, went very well - a couple of pictures here, taken by Marcia Chandra.








Monday, June 27, 2011

Mis shapen

OMFG I've just found this new band called "Pulp", has anyone heard of them? they're amazing. Hope to catch them in concert soon, once I find out a bit more about them!

Their new single Mis-Shapes is brilliant. It makes being slightly weird cool, like Miranda July and Eternal Sunshine of the Spotless Mind.

Friday, June 17, 2011

The Business

I'll be performing 'The Business' on July 10th at a hairdressers in Dalston, a performance in which audience members get haircuts, trims, shaves, manicures and massages, whilst thinking about what value means to them in this day and age...

Click here to book tickets.

Double click on the flyer to see it in full glory!

Mango news

A quick update...

Compering 'Celebrating Sanctuary' this Sunday at Bernie Spain Gardens, just underneath the Oxo Tower in London, SE1, this Sunday; the event looks at the art of refugee communities on London. It's free, and there's a whole host of brilliant acts on, including the Kraa Collective - come!

As part of the Rich Mix residency, I'll be running a short course in creating spoken word theatre for Futureversity on 25th - 27th July;

Then, every week at Rich Mix from the beginning of August, we'll be running Solanki's Salon, a longer programme of free weekly workshops. We'll be devising a piece of theatre which will eventually be shown at Rich Mix in October. It's a really exciting opportunity for anyone interested in creating theatre and writing spoken word, so if you know anyone who might be interested, send them my way!

As part of the year long Rich Mix residency, I am working with a good friend and great artist, Jon Hoskins, to build an interactive installation in the Rich Mix reception area. This installation will grow and evolve over the year - more details soon.

i've just hard news that I've been awarded a small commission from a great spoken word organisation called Phrased and Confused. More deets soon!

Gig-wise, you can catch me at Tongue Fu on 30th June.

The Big Lunch

The Big Lunch was a great success, despite the fact that it was a grey and rainy day!





Sunday, May 29, 2011

What Happened at the Hindu Hen Do in Hendon

Upon the evening proceeding the honorable event of Harish and Heena's hitching, Heena gathered her girlfriends to gossip in Gretchen's garish Golders Green kitchen. (It wasn't really a hardcore Hindu hen do; though Heena was of course a desi, at least two of the hens were Bangladeshi. Allesia was a Catholic ascetic; Helen was agnostic, having found faith and then lost it; and Gretchen of course was a Jew.)

“Ha ha!” then “Fuck!”howled Heena, as Helen plucked her hairy upper lip; she sucked her teeth and reminisced about the time when underneath the willow trees on Hampstead Heath, she'd snogged a gora boy named Keith. It was moments like these that Heena had reflected upon in the lead up to her wedding; she'd replayed them over and over again, as if reflecting on previous misdemeanours would wipe the slate just a little bit cleaner.

And so it was that Heena hardened her hintent to hold Harish in high regard and pardon him for all his sins; his love of TV shows like 'Skins'; his dodgy right wing politics; his hatred of Mohammedans. Harish was a handsome, wholesome newsagent from Harrow (it was this obscure fact that sealed the deal, for their relationship had been predicted – nay, you could say, revealed - in a tarot reading by a healer in Vietnam, who confirmed the fated mating by reading Heena's palm). His parents lived in Harpenden. His skin was darker than it could have been, considering his roots were Arian; on the plus side, he didn't smoke, he was a teetotaller and vegetarian.

But something just wasn't right... and thus it was that fated night she did what any mere mortal might; in the company of her friends, Heena expressed her doubt. Kvetching, Gretchen shrugged and said, “Come on! It could be worse! You could have married a goy!” Sound advice from a Jew; and though it was true - Harish was a good Indian boy - nobody could have foreseen that it would have been at her predominantly Hindu shabeen, on the borders of Hendon and Golders Green, that Heena would choose to come out.

Thursday, May 26, 2011

I have taken to wearing big fluffy clouds on my head

nice review of Book Slam gig last week;

an article about the Big Lunch press launch here;

here's a short film featuring Boris Johnson, Barbara Windsor and me!

My Rich Mix residency is slowly coming to ground; we'll be announcing details of what the residency involves within the month.

And 'the Business', the Motiroti commission I'll be performing at a hairdressers in Dalston on July 10th, is also taking shape nicely - watch this space!

Friday, May 20, 2011

Reluctant Fun-da-mentalism





Met Boris Johnson yesterday in my official role as Street Party Champion of Hackney(!) Also present were dudes like Babs Windsor (and her 30 year old permatan toyboy - good on yer, Babs), Levi Roots and Jazzy B, all of us at a press launch to promote the Big Lunch, a nationwide campaign to get as many people as possible having street parties on 5th June as possible. Boris said to me, "It's a fact - if you know your neighbour by his first name, crime goes down!" He then emptied a bottle of Reggae Reggae Sauce all over these vegetables, got on all fours, and started to chomp on the rhubarb.














Also had a good time at Book Slam, performing with Mohsin Hamid. Tomorrow I'm moderating a Q & A with Mihir Bose at Rich Mix, to which I'm looking forward.

Wednesday, April 27, 2011

What Counts

“I used to want the Queen's head, but now I want the crown”
- Roots Manuva
















The old lady at front of the post office queue draws her breath when she hears it will cost £5 to send her birthday card registered overseas.

“The Royal Mail been stealing my post!” she meekly protests. “We all got a letter about it!”

It's true. We all got that letter. A local postman had been nicking our mail. And now the old lady is getting charged a fiver to send her grandson a birthday card. She seems to be implying that the Royal Mail are criminals, in the act of committing daylight robbery.


The Turner Prize winning artist Steve McQueen battled with the Royal Mail for quite a while. He created a set of stamps featuring the images of dead British soldiers from Aghanistan, after collaboration with the families of the soldiers. He didn't consider the artwork complete unless the Royal Mail published the stamps; but they refused.







A popular graffiti artist, once hunted by the law but now a household name whose street art is protected and celebrated, recently forged hundreds of notes of currency. The Queen's head was replaced by an image of Princess Diana. These £10 notes now exchange on Ebay for £200.











The son of Princess Diana is about to get married in two days time. According to the satirical new show 'Have I Got News For You', The public were encouraged to send in their responses:
















Money makes the world go round. All around the world, from Wall Street to the Himalayas, we trade, and barter, using notes and coins – notes and coins often bearing heads of state. You can bet your bottom dollar that most of us want to be richer – we want to have more notes and coins.












But in a world where an energy crisis is ever looming, where an expanding population sees increasing disparity between rich and poor, and where environmental stresses threaten our very existence, I am pretty sure that our relationship to value needs to change if we are either to evolve – or, more bleakly, survive. And it needs to change fast.

This week, Boris Johnson 'personally' appointed me Hackney's street champion. I will be coordinating efforts to promote an initiative called the Big Lunch. Organised by the Eden Project, the Big Lunch aims to get as many people having street parties as possible on June 5th. The premise is simple; break bread with your neighbour. Let's face it - it's harder than we think, isn't it? Whilst many of us Londoners are proud to see such diversity amongst our neighbours when we get on the tube or walk down the high street, we're not often challenged to actually interact with people from a different background to ours. We might nod hello to our Muslim neighbours, but the likelihood is we will never know what they eat in the evenings, and likewise, they will never know what we eat. We're much more likely to have had Chinese takeaways than to actually have stepped across the threshold of a Chinese woman's house. But at least trade brings us together. We'll drop 50p into our Turkish shopkeeper's hand. Our hands might even touch.

The original trigger point for the 1995 Birmingham race riots was an alleged rape of an Afro Caribbean girl by a group of South Asian men, but bad feelings between the Afro-Caribbean and South Asian communities were not uncommon. It was rumoured that South Asian shopkeepers did not like to touch the hands of their Afro-Caribbean clients when giving change. According to Afro-Caribbeans, South Asians viewed them as 'untouchables'.

I come from a family of shopkeepers. My Indian grandfather had a convenience store in Kenya. He, like many other Asians, arrived in East Africa to set up small businesses. Often, these were shops. How do our local shops serve us? Are they there to simply trade? Or do they play a wider role in the community?

Whenever I visit India, I love getting shaved. Often, I'll just visit a man with a cut throat razor on the street, like the one pictured here.






















This man will not only shave me with a level of precision and care I've never encountered anywhere else in the world, he will also massage me. I will leave his chair feeling like a million dollars. But the experience will only cost me 50 rupees. What will 50 rupees buy me in London? A cup of coffee, if I'm really lucky (a cup of Starbucks coffee will cost me £2.50, or 170 rupees); whilst a shave at a gentleman's barbers in Regent St will cost me £45. And it won't be as good as mister man with a razor on the streets on Bombay. I could buy 66 of his shaves for that price.

When I'm having a shave, it's not only the end result I appreciate – it's the process. Today we can buy our groceries online. The need to actually talk to people face-to-face is disappearing. We actually crave anonymity. But I love that awkwardness, that tension, that threat of conversation when we sit with a hairdresser. Do we talk? Or perhaps the conversation between my head and his hand is enough? A skilled hairdresser is like an artisan. Do we make pleasant chit-chat when we paint, or sculpt? But hairdressers are different... part of their job is to make a client feel at ease.

Last year a man asked me to climb naked into a bathtub. He bathed me. He then asked me to get out. I put on a gown and he cuddled me for ten minutes. I paid for the experience. But he wasn't a prostitute; he was a performer. His piece made me feel strange for days afterwards. I questioned the notion of intimacy, and of performance.

Five minutes ago I conducted a business meeting with someone who I have never met. She is an illustrator, and we are writing a book together. I propositioned her with the idea after I found her work online. She claims she often works this way, because her Greek clients have differing cultural values to the ones she acquired in London and South Africa. It is easier for her to work with people online, halfway across the globe, than it is her neighbours.

My local high street in Dalston , affectionately called 'the Waste', is a strange amalgamam of shops. Like most UK high streets, it's in a position of flux. Some shops have shutters on them. Some shops are decaying, musty and hardly see a customer all day. Most busy are the two kebab shops and fish and chip shop. Recently, there's been a spate of shops which mirror gentrification; three independent coffee shops cum restaurants. A gastropub. It's only a matter of time before we see a delicatessen selling sourdough bread and fairtrade products. There are two places I can get my hair cut on the Waste. One caters predominantly for African clientel. The other is Wah nails, a nail bar which is celebrated in New York and Berlin alike. There are two Turkish shops which sell vegetables, but they are overpriced. There are two Tesco Metros within five minutes walk, if you like your vegetables uniformly shaped and plastic wrapped. There are no shops within ten minutes walk where you can buy your vegetables accompanied by a smile and some conversation.

Three days ago there was a riot on Bristol over a new Tescos Metro. The locals didn't want it there. Ex-Bristol rapper Dizraeli has a rather tasty little song called 'Bomb Tesco'. The chorus to this song is “The movement! It's the movement! None of your rulers can stop the movement!”

Yesterday, a man was pissing on the outside of my house. He was much bigger than me so I didn't challenge him, per se, but he still threatened me for daring to give him a dirty stare. He had a sweatshirt on made by Converse, the same company which made my trainers.

My Converse trainers are made from a number of different materials. These probably come from loads of different countries. I have no idea where, or who got paid what, along the way. The banana I had for breakfast comes from Africa. My Iphone was made in China, but the tantalum metal it contains comes from the jungles of Eastern Congo. The paper I read my news from? I have no idea, but I bet it's not the UK. But globalisation is not just about growing economic interdependence between countries. It's about viruses; invasions and infestations of foreign species; migration.

In my hand, I hold a Lewes Pound. It is a local currency which works as part of a transition network. You can exchange it for local goods and services in Lewes. Read closely; it says on it, “We have it in our power to build the world anew.”

What happens when we set foot over the threshold of a space? There are so many different kinds of thresholds;

National borders and homes.
Airports, banks and palaces.
Homes, shops, and hairdressers.

But I want to postulate three questions, in relation to crossing thresholds;

Are we welcomed?
Are we asked to behave in a certain way?
Are there certain rules and regulations to which we are bound?

The 2011 National Census is being conducted by the information branch of Lockheed Martin, the second biggest arms manufacturer on the planet. How ethical is it that all UK citizens are legally bound to comply with supplying information to a company which is based on creating weapons of destruction?

I am a comedian and a poet, and the thoughts I've outlined above are the provocations for a performance which has been commissioned by Motiroti. I know that this performance will take place in a hairdressers in Dalston. For the purposes of this piece, I am calling each performer a technician, and each audience member a client. The clients will each pay a fee to cross the threshold into the performance. Each client will be assigned a technician.

The performance will constitute of my playfully exploring some of the themes I've outlined above, and perhaps more importantly, a conversation between each client and customer. This conversation will be documented by each client filling out a form, which I am calling an alternative census.

My first point of departure is finding a hairdressers. I am looking for the right place to do the performance. The hairdressers have to be sympathetic to my cause. Is it important for the hairdressers to get the piece? I think so. But many of the people I've spoken to don't come from a background in the arts. They just want to know how much I will pay them to hire the shop for the day.

After all, money is money, and business is business.

And we're all in the business of making money.